Anyway, one of the things I really enjoy is the drive out. It takes about 90 minutes and I get to listen to whatever suits me at the volume that suits me. Typically, this ends up being music that needs to played at very high volumes. I rarely sing along as I would rather enjoy the music than scratch the itch of pretending to be able to sing.
This time it was The Allman Brothers: Live at The Fillmore East. I spent a great deal of Junior High (AKA Middle School these day) listening to this record. It’s sort of what Phish or The Dave Mathews Band would have sounded like if they grew up in deep south in the 60’s. In other words, the communal aspect of playing with like minded musicians in front of an appreciative audience and being more focused on “exploring the space” of the song than fitting it neatly into a 2:30 length is what it’s all about.
One track clocks in at almost 30 minutes, another is around 20 minutes, one runs 14 minutes and several are in the 7-10 minute range. As I’m not a musician - I remain as amazed today as I was in my teen years at the ability of a group of musicians to take off on a musical journey that has a definite beginning and ending but the middle only has a very loose framework on which to hang the improvisational ability of the players.
I had a ticket to see what’s left of The Allman Brothers a few months ago - but got sick the day of the show and couldn’t go. These days only two of the original members are still part of the band. Duane Allman and Berry Oakley (an incredibly under rated bass player) died in the early 70’s. They both were killed in separate motorcycle accidents a year apart at the same spot on the road. Dickey Betts evidently burned a bridge or two a few years ago and was booted from the band. Butch Trucks, one of the two drummers along with Jai Johanny Johnson has stopped playing due to back problems . . . but his son Derek Trucks is one of the two guitar players so he’s still around in spirit I suppose. That pretty much leaves Jai and Gregg Allman as the only ones left.
I’m trying to catch all of my teenage faves before they expire - but I will have to catch the brothers the next time around, if we are both still here :)
Then when I got to the lakehouse I opened my laptop and popped in a Led Zepplein DVD retrospective that consist entirely of live performances spanning the years from 1969 to 1979. It was fascinating to see/hear what one vocal mic, one guitar, one bass guitar and one drum kit (with only four microphones recording it) can capture when they are placed in front of incredibly talented performers. Including some interviews and behind the scenes clips the two DVD’s serve up over five hours of music. Of course they stopped touring when the drummer, John Bonham died of a drug overdose. It happened sometime after the last performance on the DVD from 1979.
I’m certain that Animal, the Sesame Street drummer was based on a mashup of him and Mick Fleetwood. The early performances from 1969 thru 1971 highlighted his incredible strength, energy and talent. When you’re in a band with Jimmy Page and Robert Plant it’s easy to get overlooked but he was as responsible for “The Hammer of The God’s” Zepplein sound as any of the others.
The DVD also showed the effect that excess had on him. His performances from the middle period had “the sound” but none of “the fury” from the years before. It’s a shame that he died when he did because the last clips where from their live performance at The Knebworth Concert in 1979 and showed his return to form.
I’m a sucker for great drummers like Keith Moon, Carl Palmer, Neil Peart, Billy Cobham, etc., but no one has every played with the strength of John Bonham . . .
Then, I put the 2005 rerelease of The Concert for Bangladesh with George Harrison, Eric Clapton, Bob Dylan and a dozen or so other incredible players.
That event set the format for every “benefit” concert to follow. It was the first of it’s kind and the concert alone raised $250,000 and the album and movie raised millions more for the UNICEF relief fund Bangladesh.
Pardon the political and geography lesson to follow. Pakistan is in the news these days but for many years there was also an East Pakistan (aka Bangladesh) on the “other” side of India. The folks there wanted to be independent of West Pakistan and that didn’t go over so great. Many of the East Pakistanis fled into India nearby to live in relief camps. About that time there was a great Monsoon that swept through the area. As you can imagine many died and there was also a famine due to the flooding.
If you recall the tsunami that hit the day after Christmas in 2005 one of the more severely damaged areas due to how the wave was funneled up between India and Burma (aka Myanmar) is the same area that was flooded by the Monsoon.
Anyway, Ravi Shankar, an Indian musician that George Harrison had met during The Beatles foray into Indian music and who had become a good friend was from that area and asked him if he could help. No one had every had a benefit concert of this sort before but they pulled it off and set the mold for Live Aid, Farm Aid, No Nukes and so on.
The first twenty minutes is Ravi Shankar on the Sitar along with Ustad Ali Akbar Khan on Sarod, Ustad Alla Rakha on Tabla and Kamala Charavarty on Tambura. They play a tune based on an Indian folk song and proceed to burn. the. house. down. I remember thinking at the time when I first played the record in my room that there must be a lot more to music than I could ever imagine. It was also my first (and the first for so many more) exposure to the suffering of “the least of these”.
What also struck me this time around (which I totally missed as a teen - imagine that) was the overt spiritual aspect of the concert. Besides the Indian set at the beginning, the first six songs up to the band introduction were either overtly spiritual, “My Sweet Lord” and “That’s the Way God Planned It” or more oblique such as “Beware of Darkness”, “Awaiting on You All” and “It Don’t Come Easy”.
In these days of U2, it’s not uncommon for the spiritual component of many songs to be an integral element of the work. Yeah, the 60’s had a “something bigger” vibe in places but there was no way it would have been tied in with anything remotely religious. Yet, when I listen to these songs (yes, I know George Harrison was not a Christian and he was not singing to God/Jesus/Holy Spirit) I’m so moved by their integrity and compassion.
The 60’s tried to hang their hat on Peace, Love and Understanding but it faltered under the weight of hedonism, narcissism, drugs and greed that led to, well, disco. If it wasn’t for Punk/New Wave in the late 70’s/early 80’s we would all be at the roller rink or the dance club right about now. Even though The Sex Pistols were a concoction by Malcolm McClaren to make money and shake things up by being as offensive as possible - they were the sucker punch in the gut of the music scene at the time and they have an important spot in my personal collection.
Anyway, I was reading an article in Time last week that restated the fact that diarrhea is the number one killer of children world wide. They noted that a simple mixture of sugar, salt and zinc added to clean drinking water and given to children suffering from water borne illness will reverse the life killing effects of dehydration. It’s the dehydration that kills children and infants that results from diarrhea. Guess where UNICEF first discovered this simple solution? It was during their relief to Bangladesh which was funded, in part, by the gate receipts, album sales and movie ticket revenue from this little shindig put together by George and some of his friends.
So, after the nearly three hours of The Concert for Bangladesh DVD of the concert, documentary, making of and whatnot - I continued my musical odyssey thru the days of my youth.
“Only mad dogs and Englishmen go out in the midday sun” I’m pretty sure that’s a song Noel Coward.
You know where this is going don’t you?
Long before Joe Cocker became famous for singing love ballads, he was a very blue collar, blues singing, rough and tumble Englishman. He put out a couple of albums, sang at Woodstock and gathered up some of his musician friends to tour as “Joe Cocker: Mad Dogs and Englishmen”. Actually some of the musicians for the Bangladesh gig were part of the family, most notably Leon Russell.
It was a stab at a traveling commune, band of musical gypsies, family affair thing. It started with great intentions but ultimately flamed out over ego’s and what not, again most notably by Leon Russell. But, before it dissolved in acrimony and harsh words they did a tour and had the good fortune to record it on film as well as a audio tape.
I remember watching the movie at the Eastgate theater in Chattanooga TN as a late show. It didn’t have anywhere near the star attraction as George’s event so it played after hours for the most part. I also remember wanting it to be played a lot louder. It seems that the Theater Managers and Projectionists of the day just didn’t see the need to crank it up. This was also a long time before THX, Dolby and 5.1, 6.1, 7.1 and whatever else might be standard in theaters these days.
Still, it did put Joe Cocker on the map - but most of his early fame was from covers of other artists songs. Songs like “She Came In the Bathroom Window, Let it Be, Honky Tonk Women, Feeling Alright, Something, The Letter, Give Peace a Chance, With A Little Help From My Friends, Girl From the North Country” shows a pretty healthy dependence on Lennon/McCartney and other writers - but - he did certainly give it the Joe Cocker treatment.
The vibe of the concerts, album and film was centered around the idea of learning to live together till we die . . . woooo! Sorry, that was a pretty lame stab at lifting the chorus from Space Captain, the closing track from the album :)
But that’s not a bad vibe is it? We’ve become such a polarized nation, at least in our politics and news it seems. That’s a shame. I’m reminded that when you get the right perspective and altitude (or is that attitude?) you can’t see red or blue states and you can’t see state or country lines either.
For that matter you can’t see denomination lines, Jewish lines, Protestant lines, Catholic lines, Muslim lines, Hindu lines, Buddhist lines, Agnostic lines, Atheist lines or whatever lines.
Not believing the same as some one else doesn’t make them suspect. It doesn’t make them dangerous. It doesn’t make them any less worthy - period.
Where George had it right was proven in the words to Bangladesh, the song he wrote as part of his personal efforts to help those who were worthy.
My friend came to me
With sadness in his eyes
Told me that he wanted help
Before his country dies
Although I couldn’t feel the pain
I knew I had to try -
Now I am asking all of you
To help us save some lives
This season find a way “to help us save some lives”. Whether it’s Water is Basic, Charity:Water, UNICEF or whatever. Give someone a great present by donating in their name. They really don’t need another sweater, tie or DVD/CD of some band from their youth . . . well lets not be fanatical or anything.
Recent Comments